We always talk. Even when we don't speak. It's a funny thing.
Melanie Kay makes art. Not just any of course, but one made from a "moral narrative". She tells stories by stitching visuals on recycled beer cans. Why does she do this? "The desire for my work to be meaningful influences the things that interest and astound me which in turn influences the way in which I work."
The idea is that she makes her art, it will be visually interesting and then the story will start to be told as people will want to know what it is about. "Using beer cans as a surface for my work has meant that I have had to be innovative in the way in which I transfer imagery onto the cans. I begin my illustrations mostly in pencil and then use various textile techniques to transfer the imagery onto the cans including, printing, heat pressed textile vinyl, hand and machine embroidery." Yes her art works are very much "social objects" which I have written about before, based on artist Hugh MacLeod's lovely stories.
Photos: Melanie Kay
The process of making art is always interesting. At artschool emphasis is put on developing one's "theory" (this seems to be the same on different continents I have discovered). Reality teaches us that most artists simply discover techniques or how to make their art by simply "doing" (aka mucking around, twiddling or fidgeting) not by concocting a pretty laid out "how-to" before hand. How Melanie came up with her "beer can" story board, read more about that here.
That's the first start right there!
The second... transformation in progress...
and:
end result! Certainly not any beer can surface is it?. "You are not in Kansas anymore" as they say. Nope, Melanie Kay went off to many places, including Dublin. Well done!
And it turns out I have come a fellow animal nut. Marvellous! Blog post here.
I hope to see more news come out about Melanie's career which looks promising indeed.
Showing posts with label textile design. Show all posts
Showing posts with label textile design. Show all posts
Monday, January 30, 2012
narrative
Labels:
art,
Gapingvoid,
Melanie Kay,
morals,
social,
social object,
story,
textile design
Tuesday, November 22, 2011
designing
Why do we do what we do?
This is the bio I sent to Hemptech: the company who releases beautiful eco textiles in Australasia.
(My Cows and Couches design and the Footprints collection. Below with a Mooodlies cushion.)
"As a designer I work on many different creative projects: interior, furniture, product, and textile design. I work primarily as an interior designer. My passion however is: goats. I'm an absolute animal nut and yes I do talk to them too. On our 64 acre llifestyle block in the south of Otago we run highland cattle, saanen goats, turkeys, chooks and pigs. Inspiration abounds as nature is very much expressing itself on our property. New Zealand scenery is so powerful and beautiful. My heart is always outside running alongside the animals in gumboots, clad in overalls, having my hair in ponytails.
My designs reflect this happy attitude and I do adore the whimsy and playing. My desire to design for eco textiles stems from that inner sense of letting my love of living in New Zealand out. As a Dutch immigrant I am fully aware that this slice of paradise is not (easily) accesible to everyone on our planet. We do live in a wondrous place down under. So what could possibly be lovelier then sharing that magic energy at home with others?"
Why do you do what you do?
This is the bio I sent to Hemptech: the company who releases beautiful eco textiles in Australasia.
(My Cows and Couches design and the Footprints collection. Below with a Mooodlies cushion.)
My designs reflect this happy attitude and I do adore the whimsy and playing. My desire to design for eco textiles stems from that inner sense of letting my love of living in New Zealand out. As a Dutch immigrant I am fully aware that this slice of paradise is not (easily) accesible to everyone on our planet. We do live in a wondrous place down under. So what could possibly be lovelier then sharing that magic energy at home with others?"
Why do you do what you do?
Photos: copyright: Mirjam Spronk and Hemptech ltd
Labels:
bonvivant design,
eco,
fabric design,
happy,
Hemptech,
mooodlies,
new zealand,
otago,
paradise,
texiles,
textile design
Wednesday, June 16, 2010
frolicky frock
My mac at home is so ancient, you could turn the monitor into a fishbowl and turn the computer itself into a side table, considering I doubt very much it will spring to life again. I'm not keen to make an attempt any time soon. Problem is that most of my Dutch design work, brochures, logos are on the croaking thing. Hm... #dilemma
I started thinking about why it would be handy to have an online portfolio. Anyhoo: my focus is textile design, so I came across something on Twitter today that could be fun. (You know really: it's a good real time search tool, you should consider using it, it's not just the earth's water cooler spot for catching up with other global villagers.)
If you have creative endeavors, go check this competition out: "Create a vintage inspired surface pattern for Clothkits to print, and see your creation come to life on the catwalk!" Link here. It sounds very Etsy. In a good way. "Want inspiration? We do not need to see the end shape of the garment, just the fabric design, but why not think 50s pinched waist dresses, 60s mod shifts or 70s flowing frocks. We will then take the design, print it, and make it up into a summer dress. "
So get ready set go, start frocking readers and readerettes. If you're ever so inclined of course. Otherwise feel free to do a Google on something else. My point is that it can be fun to try something a bit different today. Don't sell yourself short. I'm not interested to hear the but... but... if we do that we never do anything frolicky or frocky. I reckon the world can do with some more frothy frolicky frock. Uhuh.
image by Clothkids
Labels:
bonvivant design,
clothkids,
competition,
creative,
fabric,
textile design,
uk
Tuesday, June 15, 2010
New Zealand flavor
I'm working on new textile designs for Hemptech and myself, at the moment I'm trying out different combinations with red deer, wine and gumtrees (there are surprisingly many red deer farms here, I guess the taste of Venison goes beautifully with all the local wines...). The design below of the Suffolk sheep I finished recently. It makes sense somehow, the softness and squishy-ness of both sheep and muffins. (I'm not advocating you should eat them both mind you, and certainly not together - I tend to eat more banana cupcakes than roasted lamb personally.)
I get new ideas all the time, and I try to stay with the New Zealand green theme as much as I can. I really enjoy it, and it's hard for me to not draw groovy beasties. What can I say, I'm a softie and everywhere you go in New Zealand, trust me you will, most definitely, come across sheep. They have fun too those woolly critters, as you can see. Giddy up Fred!
Labels:
bonvivant design,
cupcake,
cushion,
Hemptech,
muffin,
sheep,
suffolk,
textile design
Tuesday, March 16, 2010
textile vibes
In the last few months I have come in the possession of several tea towels made by the New Zealand company Esther Diamond. They are too designery cool to use as mere tea towels although I'm sure many will use it for that exact purpose. Me, I like to put them up as a form of Art as they're fun and original.
My jewelry designs have inspired me to apply them to the tea-towel and cushion realm.
What do you guys think?
Labels:
Esther Diamond,
new zealand,
tea towels,
textile design
Subscribe to:
Posts (Atom)


















